Thierry Frémaux looks back on the 79th edition of the Cannes Film Festival, which concluded despite well-known criticism regarding the lack of Hollywood blockbusters, fewer American stars, and a competition without a direct consensus on a masterpiece. Frémaux sees this differently, arguing that the festival has become more intensive and efficient over 25 years, while resisting the forces reforming the entertainment industry. According to him, Cannes remains influential despite the pressure of social media, influencer logic, and increasing commercial interests, describing the festival as never before more competitive.